Indigo and Madder, Finger Prints and Brush Strokes: Notes on Six Byzantine Great Deesis Icons of Wadi al-Natrun Monasteries and their Egyptian Origin
Indigo and Madder, Finger Prints and Brush Strokes: Notes on Six Byzantine Great Deesis Icons of Wadi al-Natrun Monasteries and their Egyptian Origin
This chapter explores in detail some of the Byzantine icons found in Wadi al-Natrun, arguing for their Egyptian origin. Six large Deesis portraits of unknown provenance are preserved in the Coptic monasteries in the Wadi al-Natrun. Five, which are of serial nature, formed a part of a majestic Great Deesis set of 11 icons. The investigation in technical art history reconstructs the set and traces the origin of the Wadi al-Natrun icons painted in Byzantine style on locally made sycamore panels to Coptic patronage in Cairo. It specifically addresses the thirteenth-century Interceding St. John the Baptist from a Trimorphon Set and the five palaiologan serial portraits from the Great Deesis, namely Archangel Gabriel, St. Mark the Evangelist, St. Matthew, Apostle Paul, and St. John the Theologian. It then considers the reconstruction of the Great Deesis set from which the Wadi al-Natrun portraits originated. Moreover, the Church of St. Mercurios Abu Seifein in the Monastery of St. Mercurios, Old Cairo is explored.
Keywords: Wadi al-Natrun, Great Deesis, Byzantine style, Archangel Gabriel, St. Mark the Evangelist, St. Matthew, Apostle Paul, St. John the Theologian, Church of St. Mercurios Abu Seifein, Interceding St. John the Baptist
Cairo Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .
