- Title Pages
- Dedication
- Illustrations
- Contributors
- Foreword
- Introduction
-
1 “Do not Believe Every Word Like the Fool … !” -
2 Some Aspects of Volume 8 of Shenoute's Canons* -
3 Care for the Sick in Shenoute's Monasteries -
4 Shenoute's Place in the History of Monasticism -
5 Pachomius and the White Monastery -
6 The Role of the Female Elder in Shenoute's White Monastery1 -
7 The Ancient Rules of Shenoute's Monastic Federation -
8 The Fate of the White Monastery Library -
9 The Coptic Life of Shenoute -
10 Shenoute as Reflected in the Vita and the Difnar -
11 The Relationship of St. Shenoute of Atripe with his Contemporary Patriarchs of Alexandria -
12 Manichaeism and Gnosticism in the Panopolitan Region Between Lykopolis and Nag Hammadi -
13 Monks and Scholars in the Panopolite Nome the Epigraphic Evidence -
14 Searching for Shenoute -
15 Biblical Manuscripts of the Monastery of St. Shenoute the Archimandrite -
16 Once more into the Desert of Apa Shenoute -
17 Bohairic Liturgical Texts Related to St. Shenoute1 -
18 Liturgy in the White Monastery -
19 Akhmim as a Source of Textiles -
20 Snapshots on the Sculptural Heritage of the White Monastery at Sohag -
21 The Triconch Sanctuaries of Sohag -
22 Two Witnesses of Christian Life in the Area of Balyana -
23 Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria -
24 Coptic Art During the Ottoman Period -
25 The Red Monastery Conservation Project, 2006 and 2007 - Abbreviations
- Bibliography
Coptic Art During the Ottoman Period
Coptic Art During the Ottoman Period
Documentation of The Akhmimic Style
- Chapter:
- (p.281) 24 Coptic Art During the Ottoman Period
- Source:
- Christianity and Monasticism in Upper Egypt
- Author(s):
Gawdat Gabra
Hany N. Takla
- Publisher:
- American University in Cairo Press
In the course of the 17th century, during the Ottoman period, significant innovations were introduced into Coptic art, which has led some scholars to speak of the “Akhmimic style.”. The Akhmimic style is a worldwide Catholic contribution, which is comparable to the Mozarabic style. Like the Mozarabic style it consisted of different cultural characteristics and styles, helping to spread the Catholic faith throughout the Middle East and Africa. Some scholars have considered two different styles in two separate periods, but from this study it appears that it was one style with two sequential stages, from about the year
Keywords: Akhmin, Ottoman period, Catholics, Coptic art, Mozarabic style
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- Title Pages
- Dedication
- Illustrations
- Contributors
- Foreword
- Introduction
-
1 “Do not Believe Every Word Like the Fool … !” -
2 Some Aspects of Volume 8 of Shenoute's Canons* -
3 Care for the Sick in Shenoute's Monasteries -
4 Shenoute's Place in the History of Monasticism -
5 Pachomius and the White Monastery -
6 The Role of the Female Elder in Shenoute's White Monastery1 -
7 The Ancient Rules of Shenoute's Monastic Federation -
8 The Fate of the White Monastery Library -
9 The Coptic Life of Shenoute -
10 Shenoute as Reflected in the Vita and the Difnar -
11 The Relationship of St. Shenoute of Atripe with his Contemporary Patriarchs of Alexandria -
12 Manichaeism and Gnosticism in the Panopolitan Region Between Lykopolis and Nag Hammadi -
13 Monks and Scholars in the Panopolite Nome the Epigraphic Evidence -
14 Searching for Shenoute -
15 Biblical Manuscripts of the Monastery of St. Shenoute the Archimandrite -
16 Once more into the Desert of Apa Shenoute -
17 Bohairic Liturgical Texts Related to St. Shenoute1 -
18 Liturgy in the White Monastery -
19 Akhmim as a Source of Textiles -
20 Snapshots on the Sculptural Heritage of the White Monastery at Sohag -
21 The Triconch Sanctuaries of Sohag -
22 Two Witnesses of Christian Life in the Area of Balyana -
23 Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria -
24 Coptic Art During the Ottoman Period -
25 The Red Monastery Conservation Project, 2006 and 2007 - Abbreviations
- Bibliography
